6 Tips for Mixing Good Ol’ Fashioned Rock and Roll.

6 Tips for Mixing Good Ol’ Fashioned Rock and Roll.

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Drums are one of the most game-changing elements in a song yet a challenging instrument to mix correctly. You must see it as an alternate mixing in the song since they cover almost the entire spectrum and can fight with other instruments. Drum mixing is the process where you find the balance between the different elements of the drums set. You need to see them as a group of individual instruments that needs their own character , but at the same time, they need to be cohesive and sound as one.

You may have the style on your head and the idea of how you want them to sound, but portraying it can be challenging since a drum set has various transient shapes and a wide range of frequencies to address for each element that compounds it.

Usually, when mixing drums, you want to give more power and coloration with processors like saturators, compressors, and equalizers. For other common problems when recording mixing drums, you have phase correctors, gates, and other tools for modifying dynamics that will put your drums in the right place.

Nevertheless, your best tools are your ears, and the plugins presented in this article will help you make better decisions. Should Drums Be in Mono or Stereo? Kick, Snare, Clap, and Percussions. Modify your transients and tonal parts of your signal with Quantum.

Usually referred to as a transient designer, Quantum brings all the perks of a transient shaper plus some other exciting tools like unique processors and visual aids to control your dynamics shaping fully. On its smooth UI with clean animations , you will have every control displayed to get into the creative process right away. This plugin is available for Windows 7 or higher and macOS It would be nice to have a final limiter for each section to avoid clipping problems, but if you use it properly and are aware of your levels, you have to worry about nothing.

Bring a realistic analog tape sound to your projects. Instead of using conventional DSP to emulate the tape machine sound, TAIP uses an advanced artificial intelligence algorithm to recreate a realistic tape module. With over presets developed by producers and engineers of artists like Ariana Grande, Elton John, Drake, The Killers , and a lot more, you can add the analog color your drums need to stand out in the mix.

Its distinctive controls bring warmth, especially to low-end instruments. The presence control is a very nice addition as it compensates for the high-end attenuation, allowing you to get back the brightness lost because of the tape. Get some vintage warmth with this tape saturator developed in association with legendary record producer Eddie Kramer. It was created as a model of the tape machine on the original recording chain from Olympic Studios in London.

This plugin is available for Windows 10 or higher and macOS Kramer Master Tape proves its efficiency at managing both low-end and high-end elements on your drum set. Naturally, it attenuates some high-end content, which enhances the body of elements like kick drums, snares, and bass , and also removes some thin highs that might be affecting your cymbals. Also, it could bring some interesting colors when put in the master bus to glue everything and give it a more analog and vintage vibe.

Or Buy Here Support Integraudio. Spice up your drums with the signature compression and saturation of Mike-E Comp. The famous EL9 channel strip by Empirical Labs has been emulated to create this fantastic plugin that will also warm and soften your source.

It comes with a punchy preamp and a chain of compression and saturation with various alternatives that resemble the original hardware piece visually and functionally, providing you the power and presence that your drum set needs. Mike-E Comp provides analog color and warmth without unwanted harshness on your signal , bringing captivating color for your drums master bus. Also, its emphasis modes on the CompSat module make it very versatile to use in different channels of the drum set. Understandably, they wanted to recreate the original hardware.

Still, it would be better to have knobs instead of buttons for controls like ratio and attack since multiple clicking for these parameters is a little annoying.

Enhance your drum bus with the analog emulation of a tube signal path within Pulsar Mu. Designed for mixing and mastering purposes, Pulsar MU provides a realistic emulation of a variable-bias tube compressor.

The plugin provides a small set of controls for stereo and mid-side limiting and compression that treats your transients softly to keep your dynamics clean. Tube compressors bring cohesion to buses, making Pulsar MU perfect for drum buses or mastering stage use.

Its tube path provides a slight harmonic distortion that brings a distinctive color to the signal and increases your signal-to-noise ratio, highlighting that the Sidechain EQ option gives it more versatility. If you love the analog sound of this plugin, you should also check out the Pulsar to check the differences between this FET compressor and Pulsar MU.

Flux Evo IN provides one of the most common ways to optimize multi-microphone recordings: phase correction.

By using this method, you will keep the acoustic characteristics of the space and create a better correlation between the sources. Its simplicity and clean interface ease fixing phase problems, which are common in the top and bottom of the snare and the left and right overheads.

Moreover, the drive control on this plugin is also appreciated but not as powerful as other saturators. Get rid of unwanted low-level signals or noise in your recordings.

Another common situation when recording with multiple microphones is having elements different from what you wanted to record, such as a slight hint of the kick drum on the snare microphone. Getting excited about a gate plugin is hard because they do only one thing, but Gatey Watey stands out with a slight tweak: full spectrum plus frequency selective attenuation.

Since it involves frequency processing, it would be nice to have a built-in spectrum analyzer to be the ultimate gate plugin. Enhance the character of your track with this harmonic exciter by the renowned plugin developer Waves. As an emulation of the famous s Aphex Aural Exciter , the Waves plugin offers the unique sound of the legendary unit, generating new harmonic content for coloring your tracks. It helps you effortlessly increase presence, brightness, and vibrancy without rising frequency levels like an equalizer.

Waves worked very closely with legendary engineer and record producer Val Garay and the Aphex twin to provide the closest digital replica of the unique hardware model. Besides emulating the original controls of the legendary Aural Exciter, it also provides a similar analog sound that producers wanted in their projects back in the day.

If you have a muddy drum mix, you should use this plugin to brighten it up, or you could use it in the mastering stage to give the final vibrancy touch. FabFilter offers complete frequency control and analysis with its signature equalizer. Featuring up to 24 frequency bands and a wide dynamic range , FabFilter Pro-Q3 offers versatility to achieve the highest sound quality possible. Each band you set comes with its independent set of controls, unique display on the built-in spectrum analyzer, and flexibility on the processing so you can adapt to any situation you need an equalizer.

It also offers one of the smoothest and innovative interfaces while also operating with zero latency. Boost and cut frequency content with this great vintage passive tube-based equalizer.

Focused on mixing and character instead of corrective equalization, Klevgrand GotoEQ is a fantastic equalizer that reproduces the behavior and sound of a hardware vintage equalizer.

It offers a high-pass filter, which you can set from 20, 40, or 80 Hz, and four bands separated in two dynamic parametric and two passive shelving filters. These last four bands have continuous frequency selection and independent bypass. The unique filters provided and the futuristic and clean interface makes GotoEQ a perfect pick for producers on a budget. Its dynamic attenuation makes it a good fit for addressing harsh overhead recordings, low-end boxiness, and giving final details to the drum bus.

Mono vs. Monitors Vs. All the processors a drum set needs put together in just one control. Sweet Drums by Analog Obsession is a simplified effect chain containing the most common effects used when mixing drums.

Sweet Drums is a fast ticket to get some intensity and character for your drum bus in a matter of seconds. Still, Sweet Drums is a great pick for making a rough mix and giving you an idea of the direction that the drums need to take. Teleport to the studio with this great emulation of a console equalizer. Back in the 80s, producers fell in love with the unique character of E-type consoles and the modules on their channel strips. The plugin offers three types of analog distortion that can be used in any instrument that needs some additional character, crispy harmonics or punchier low-end content.

Its free status makes it more striking and gives producers and engineers an accessible tool making drums more exciting. The distortion type that Softube Saturation Knob offers is fantastic for adding some crunchy harmonics and color to snares and high toms and is outstanding at fattening kick drums and floor toms. Additionally, a saturator can give more body to an overall mix, so putting it in the drum bus will provide you with new textures.

If you need more boosting on your spectrum, Vitamin has you covered. The outcome is similar to a chain composed of an equalizer, compressor, and saturator without gain staging problems and offering zero-latency behavior. It comes with five adjustable frequency bands that will help you add edge and enhance your dynamics and optional stereo mode to widen the stereo image. Waves Vitamin curiously feeds some brilliance and impact to your signal , making it perfect for drum buses and an excellent pick for mastering.

This list has covered a wide diversity of plugins for different approaches and budgets. First, for more electronic drums and sound design enthusiasts, you might like Quantum since you can explore different textures and have more freedom, unlike an acoustic drum set that might get ruined if you excessively modify its acoustic characteristics.

Speaking of acoustic drum recordings, Flux Evo IN and Gatey Watey might fix some recording issues and save your projects if you run out of studio time. Now for mastering and drum buses, an analog character would provide exciting characteristics to that final touch. Other Plugin Roundups:. Top 5 Diode-Bridge Compressor Plugins The 10 Best Convolution Reverb Plugins Top 7 Wavetable Synth Plugins Top 11 Plugins On Plugin Alliance Top 5 Multiband Limiter Plugins Step By Step.

What Are Audio Plugins? Different Types of Plugins Explained. Plugin Formats Explained. How To Clip My Drums? Ivan is a guitarist, music producer, recording, and mixing engineer based in Bogota, Colombia.

He loves discovering new music and combining different styles to achieve unique sounds for all his projects, including hip-hop, indie pop, and indie rock music. He currently produces local artists in his home studio and makes sound design for television.

In a nutshell, here are the best plugins for mixing your drums in 1.

   


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